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The track was written with Justin Frischmann in 2004M.I.A. performs during The Miseducation of Lauryn Hill 20th Anniversary Tour at Festival Pier at Penn's Landing on July 13, 2018 in Philadelphia M.I.A. has shared a new, low-fi video for a previously unreleased song, ‘Reload.’ The track was written in 2004 with Elastica’s Justine Frischmann, ahead of the release of M.I.A.’s debut album, ‘Arular’ a year later. Read More: ‘Matangi/Maya/MIA’ Film Review – a compelling profile of a fiercely political pop force The song appeared on M.I.A.’s documentary MATANGI […]The post M.I.A. shares new lo-fi video for previously unreleased song ‘Reload’ appeared first on NME.
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GQ just published one of those best-albums-of-the-young-century features, and in addition to their own picks, they solicited the opinions of their honorees. So Daft Punk heralds the Strokes’ Is This It, Beck sings the praises of M.I.A.’s Arular, Jamie xx reminds us that it’s been a while since we’ve listen...
submitted by Nick Jul 24th 2014 10:00 pm (stereogum.com)
Dutch DJ duo the Partysquad contributed production to M.I.A.’s Matangi, and now they’ve aligned again for a song on The Partysquad Summer Mixtape 2014. It’s a typically noisy M.I.A. track that wouldn’t have sounded out of place on Kala, with a beat that remains spacious despite busy drum programming and va...
Singer's fellow performers wore T-shirts reading 'Stop Tamil Deportation'
submitted by Nick May 19th 2014 06:00 pm (stereogum.com)
Last week, M.I.A. gave a fascinatingly berserk performance of “Double Bubble Trouble,” a song from her 2013 album Matangi, on Late Night With Seth Meyers. She surrounded herself with neon hovercraft cameras, uzi-clutching attendants, an amazing dirtbag dancer, and various other right-this-minute cultural artifacts, and now sh...
When you’ve had a Beyoncé remix sitting on your hard drive for a few months, you’re eventually going to want the world to hear it. It’s just human nature. “***Flawless” was one of the highlights from Beyoncé’s great self-titled album, and with its clipped electro-beat and its snarling...


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